Two microphones are connected to one 1/4" plug. These twin mics are for the treble side. Another single mic with 1/4" plug is for the bass side of the accordion. The included Dual Channel Pro Preamp has been specially designed for use with this system. It has a belt clip and is supposed to be worn on your right hip area. This preamp allows for bass/middle/treble EQ for the treble and bass side individually, as well as separate volume and gain controls.

The mics attach with the self-adhesive "dual-lock" fastening system mounted to the base of their goosenecks. This duallock is like industrial-strength "Velcro," and will never wear out from repeated opening and closing.

Treble mics (twin mics): one on the upper and the other one on the lower end of the treble grill. Both mics are technically identical but they have different cable length. Position the mic with the longer cable in the upper position (which are the lower tone keys) and the one with the shorter cable on the higher key position. You may have to experiment to find the best locations. We recommend to aim the mics towards the grill with about 2" distance between Hic Head and grill. Mount them in a way that the mic heads end up being about 10 to 12 inches apart.

After years of research, the K&K engineers completed the CXM5 Saxophone Microphone. Our customers claim that the K&K CXM5 Saxophone Microphone sounds BETTER than any other clip-on sax mic on the market today!

The key features include:
* Linear sound condenser capsule suitable for high sound pressure levels where it still transmits crystal clear.
* Soft cardioid polar pattern; the musician can aim the microphone very close to the bell without losing brilliance.
* Combination of flexible microphone head suspension, gel embedded capsule mount, plus cushioned clamp ensures transmission that is free of mechanical key noises.
* The specially designed goose neck, also developed at K&K, retains 100% solid positioning.

The features of the supplied electronic controller box include:
* Ultra low noise, quality Class A circuits
* High grade pre-amplification
* Active balanced output
* Minimum power consumption
* Works on either phantom power or 9 volt battery
* Belt-clip mount

All parts were selected for best material value. We use durable metal parts for roadworthy quality whenever possible.

The Golden Bullet is an extremely powerful universal condenser microphone with excellent sound and high off-axis sound rejection (unidirectional). This allows for high gain-before-feedback.

Due to its convenient size and versatile attachment directly to the instrument, it can be used with a wide variety of drum and percussion instruments and with many string instruments. It is recommended for non-internal mounting only. This mic is also available as the Golden Bullet URB for upright bass.

The Golden Bullet Microphone has a sturdy 5" gooseneck built into the cable, right behind the microphone capsule. This allows for a variety of elevated positions. An industrial strength self adhesive universal attachment system is supplied to accommodate mounting on all different instruments, no matter if round shaped or flat.

An integral part of this microphone is its Golden Bullet Preamp. It provides a transformerless pre-amplification plus professional active balanced XLR output. The Golden Bullet Bullet preamp works on either phantom power or a 9-volt battery. This preamp also provides the special 5 volt power the mic requires.

Upon customer request, an preamp model with 1/4" instrument line level output, especially for combo amplifiers, is available. (Does not work on phantom power but on 9 Volt battery only). If you would like this version, please specify when ordering.

The Silver Bullet is a very powerful condenser microphone with excellent sound and frequency range. Its outstanding performance, especially on wind instruments, makes this small mic an affordable tool for every musician.

Due to its versatile size and its convenient attachment directly to or inside the instrument, it can be used with a wide variety of instruments:

* Wind Instruments, such as concert flute, clarinet, trumpet or saxophone. A foam wind screen is provided for all applications on wind instruments.
* Hand drums, such as darabokas, dumbaks, djembes, bongos, as well as kalimba or slit drum.
* Stringed instruments such as mandolin, banjo, piano, violin, acoustic guitars, and ethnic instruments like sitar, bouzouki, saz, oud, balalaika and similar.
* Vocals, for use as a Lavalier microphone.

The Silver Bullet has a 4" gooseneck built into the cable right behind the microphone head. This allows a variety of elevated positions on wind instruments. Two different attachment systems are supplied to accommodate different mounting methods: a padded clip and a special extra heavy duty industrial Velcro attachment system which allows for attaching the mic to about any and every instrument (in case the clip does not fit). The mic plugs into the control box, which provides active pre amplification plus active balanced XLR Out.

The standard Silver Bullet XLR preamp works either on phantom power or a 9-volt battery. The preamp provides the special 5 volt power the mic requires. On customer request, a preamp with 1/4" instrument line output, especially for use on combo amps, is also available. This unit does not work on phantom power. If you would like the 1/4" instrument jack line output version, please specify when ordering.